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Other Media Files: Zoom G9.2tt. This is a delay with a maximum setting of ms. With the JCM series that appeared in the eighties, Marshall again pulled ahead of along by Zippo lighter fluid. The display changes as follows. Warm sound with a strong presence provides a This patch simulates the heavy auto wah sound of Stevie Salas.
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Zoom G9.2tt Guitar Multi Effects Console
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One of the best Guitar FX processor has been available for guitarist, which is 'Zoom G9.2tt Guitar Multi Effects Console'. This product is not just a FX processor, it is a high quality guitar preamp with two 12AX7 tubes that really make a difference. It doesn't have more features than other products in this class but it definitely sounds much better than the competition. The heart of this FX Console is the preamp section where you choose a preamp model or stomp box and the VERY effective EQ that helps you sculpt the sound you want.
360° view
One of the best Guitar FX processor has been available for guitarist, which is 'Zoom G9.2tt Guitar Multi Effects Console'. This product is not just a FX processor, it is a high quality guitar preamp with two 12AX7 tubes that really make a difference. It doesn't have more features than other products in this class but it definitely sounds much better than the competition. The heart of this FX Console is the preamp section where you choose a preamp model or stomp box and the VERY effective EQ that helps you sculpt the sound you want.
- Hola necesito un parche o informacion para poder equalizar mi pedal, no puedo lograr el sonido de chuck schuldiner, tengo una bc rich stealth y un zoom g9 2tt, saludos y gracias. Godsmack keep away. Quiero el patch de adam jones.
- This is video is just to show the Steve Vai's - For the love of god patch i made on the zoom g9.2tt For all the people that want the Settings for this patch.
- The G9.2TT's preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You read more can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same.
- G9.2tt Patch List ＊The. PRE-AMP CHANNEL. PRE-AMP CHANNEL. Settings for clean tone with low distortion levels. Settings for adding tube compression.
With the help of the tubes the models are very dynamic responsive (very close to a tube amp) and for the perfect sound you should really incoporate your guitar's controls. Unlike other units, the cabinet emulation follows a different approach as it does not model popular cabinets but instead it respects the sound of the choosen preamp and places it in a 'real space' giving it a deeper character. This way your patches sound much more uniform and you can concentrate on things that really matter, and the sounds you make will sound the same no matter if you hear it through an Guitar Amp, a Guitar Cabinet or a Power Amplifier. Sounds good when you choose between 30 cab models but at the end it's just counter-productive, mean, why if you want the sound of a VOX AC30 just use a real VOX AC30 cabinet that is what you want and there's no point in passing it through a Peavey cabinet if you want sound of a VOX AC30.
The rest of the effects are fairly good and very guitar oriented with the reverbs being the best amongst them. There are a lot to choose from but if you're serius about your playing you'll stick to classics. One of the most interesting though is the Z-oscillator with careful performance you can have amazing results.
The best feature of this product are the 3 pedals (2 horizontal and 1 vertical) that let you control in real time varius aspects of your sound. Each pedal can control up to 4 parameters of your modules so if you're really into FX you can make beautiful moving soundscapes.
Overall this unit is much better than BOSS GT-8, POD LIVE XT and even VOX Tonelab (except the amazing reverse delay) and comes at a killer price so i recommend it 100% without second thought.
Overall this unit is much better than BOSS GT-8, POD LIVE XT and even VOX Tonelab (except the amazing reverse delay) and comes at a killer price so i recommend it 100% without second thought.
Feature
Energizer using 12AX7 tube
Giving body to the guitar sound and adding supple power and intensity - that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.
ZFX-3 - a 32-bit DSP designed by ZOOM
The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.
DSP sound modeling plus tube circuitry create the ultimate in distortion
96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.
Preamp section with two channels
The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.
Great for stage work or direct recording
The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.
Amp select feature
This function optimizes frequency response to match the amp that you are using. Settings are available to get the best out of popular models such as Roland JC-120, a Fender combo, and a Marshall stack. The -10 dBm/+4 dBm output level switch allows the G9.2tt to be used as a preamp, directly connected to the power amp input of a guitar amplifier.
6-band graphic equalizer
The built-in EQ module has six frequency bands optimized for electric guitar. Peaking type filters in the crucial middle range (400 Hz, 800 Hz, 3. 2 kHz, 6.4 kHz) are augmented by shelving type filters at the low and high end (160 Hz and 12 kHz). This ensures the shortest possible route from inspiration to actual sound.
Guitar amplifier/stomp box modeling
Analog devices such as tubes and diodes have unique clipping characteristics. Sophisticated digital simulation finally makes it possible to recreate the sound of vintage tube amps and effect devices with astonishing realism. From popular names such as Fender, Marshall, and VOX to modern amps including MESA BOOGIE, Hughes & Kettner, and Diezel - the list of choices is extensive. The cabinet simulator even has settings for mic position, to achieve totally natural sounding performance.
Guitar Amp / Stompbox Models >>
32-bit processing for a wide choice of high-quality guitar sound effects
Ranging from trusty old standards to advanced choices for specialized needs, the effect collection of the G9.2tt comprises 120 effects in 10 modules. Pick an MXR Dynacomp, famous for its unusual compression action, or select wah pedal simulations such as VOX and CRYBABY. Choose from three types of chorus for creating a solid, wide sound stage. Access seven types of reverb with transparent, unblurred sound. And the list goes on: tremolo with selectable modulation waveform, bend chorus with individual pitch bending, harmonized pitch shifter, multi-tap delay even reverse delay. These professional quality effects will fuel the creativity of every guitarist. The preamp section and wah/filter effects allow changing the module insert position for even more advanced tonal control.
Preset patches ready to use for recording or live performance
Whether you are after a true-blue vintage tone or fat high-gain sound, you will find a choice here. There are settings that accurately simulate well-known amps and stomp boxes, settings that are modeled on the signature sound of famous guitarists, as well as totally original ZOOM effect sounds. The past and the future of guitar sound is right there at your fingertips. The G9.2tt comes preprogrammed with a total of 80 preset patches. For creative leeway, a user area capable of storing the same number of patches is also provided.
Intuitive interface great for stage use
Each of the four analog style rotary knobs let you directly edit parameters on-the-fly, a total of four simultaneously. The LCD panel clearly shows patch and parameter names. Direct access keys are provided for each module. The advanced user interface is designed to ensure hassle-free operation, while not getting in the way of your creativity. On stage, the foot switches allows easy effect bank selection, module and hold delay on/off switching or tap tempo input. The self-lit switches show module status at a glance.
Real-time modulation for 4 simultaneous parameters fosters lively playing
The built-in expression pedal allows control over effect parameters in realtime. Common pedal effects such as wah, pitch, and volume control are ofcourse supported, but you can also opt to adjust drive gain, modulationrate, delay/reverb mix level, and other parameters. Up to four parameterscan be assigned to a single pedal, allowing dramatic techniques such asraising the chorus, delay, and reverb at the same time. Create a rotary speaker style sound by varying tremolo, chorus, and auto-panning rate. Also,the ARRM (Auto Repeat Real-time Modulation) function is capable of producingrhythmical tone changes, opening up a wealth of possibilities.
World's fastest patch change speed: 7 ms
Switching patches has never been smoother or less noticeable. With its record-setting speed of 0.007 seconds (7ms), the G series never miss a beat.When changing to a lead preset in the middle a song, you no longer need to press the switch in advance, simply push the foot switch and start playing your solo.
Built-in tuner supports special tuning requirements
The guitar tuner can be called up instantly by pushing a dedicated footswitch. In addition to the standard auto-chromatic tuner, various othertuning methods for guitar and bass are possible, and open tunings are alsosupported. High-brightness LED indicators make the note readout easy to seeon a dark stage. The calibration range is A 435 to 445 Hz, and muted tuning(without sound output) is also possible. Tuning your guitar has never been easier or more convenient
ZNR keeps playing pauses really quiet
The built-in ZOOM Noise Reduction (ZNR) provides optimized signal performance for guitar. While minimizing any alteration of the original sound, ZNR cuts unwanted noise during pauses. Tails of sustained notes remain unaffected, with a long natural release.
Ultra low noise design with 120 dB S/N ratio and -100 dB noise floor
With an amazing rated signal-to-noise ratio of 120 dB and a -100 dB noise floor, background noise ceases to be a problem, leaving only superbly clean, transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability
The combination of a solid metal chassis with shock-absorbant rubber damping ensures that the unit can stand up to the rigors of on stage use. Take it on the road or bring it into the studio, the G9.2tt will not let you down. And it looks great, too, the stylish two-tone coloring using silver and black, rounded shape, and chrome-plated parts give the unit a high-class, futuristic appearance.
USB based audio interface functions
The USB port allows the unit to function as an audio interface for a computer. Simply plug the unit in to your computer with a USB cable to use the high-quality sound of the G9.2tt in a computer-based recording system. The high-performance DAW application 'Cubase LE 4' comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the unit itself, there are no latency problems during recording.
* For details about the bundled software 'Cubase LE 4'. --> Click Here
MIDI IN/OUT jacks allow linking to other equipment
The ability to exchange MIDI data with other devices opens up a wealth of possibilities. You can switch patches in conjunction with a MIDI enabled preamp, or use the unit as a real-time controller for other MIDI equipment. By connecting the MIDI interface to a computer, you may use a dedicated editor/librarian application to edit and store patch data.
AUX IN jacks accommodate external sources
The playback signal from external sources can be plugged-into the AUX input. Jam along with a rhythm machine, external CD or mp3 player. You may also utilize the connectors as a stereo line input to record audio into your computer via the USB interface.
Accelerator blends tube and solid state sound
The analog input section incorporates an Accelerator that can amplify the signal in a tube or a solid-state based circuit. The 12AX7 tube produces fat, sturdy sound that can be mixed with the clear and transparent sound from the solid-state circuit. Blending natural compression with typical tube saturation characteristics creates a rich, organic tone.
Z-pedal takes pedal performance to the next level
The pedal on the right side of the G9.2tt supports 3D action by sensing not only conventional up/down but also sideways movement. The Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to four parameters in each axis of pedal movement (vertical and horizontal). There are also effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.
RECOMMENDED SETTING OF Z PEDAL
VERTICAL PARAMETER
-WAH
-WAH
-MODULATION RATE
-DELAY TIME
-DELAY/REVERB MIX
-OSCILLATOR PITCH
-FORMANT SHIFT(o - a)
HORIZONTAL PARAMETER
-DRIVE GAIN
-PITCH SHIFT
-CROSS-FADE OF ORIGINAL/EFFECT SOUND
-DELAY FEEDBACK
-DELAY/REVERB PAN
-SCILLATOR VIBRATO
-FORMANT SHIFT(a - i)
External send/return loop connectors
A separate stomp box, rack-mount effect or other device can be connected to the G9.2tt's effects loop and used as part of a patch. Send/return level as well as on/off status are stored as part of the patch. Find new uses for your favorite pedals and spark your creativity in a variety of unexpected ways.
EFFECT LIST
COMP module
-Compressor
-Rack Comp
-Limiter
WAH/EFX1 module
-Auto Wah
-Tremolo
-Ring Modulator
-Crybaby Wah
-Octave
-Auto Resonance
-Phaser
-Slow Attack
-Multi Wah
-Booster-Fixed Phaser
-Vox Wah
-Pedal Resonance
EXT LOOP module
-External Loop
ZNR Module
-ZNR
-Noise Gate
-Dirty Gate
PRE AMP module
-FD Clean
-HW Clean
-Tweed Bass
-Z Combo
-MS Drive
-Rect Modern
-HK Drive
-DZ Drive
-Z Stack
-Centaur
-DS-1
-Fuzz Face
-TS+F Combo
-Z OD
-Z Clean
-VX Clean
-UK Blues
-BG Crunch
-MS #1959
-Rect Clean
-HK Clean
-DZ Clean
-ENGL Drive
-Over Drive
-Guv'nor
-dist+
-Big Muff
-SD+M Stack
-Extreme DS
-Acoustic Sim.
-JC Clean
-US Blues
-VX Crunch
-MS Crunch
-Rect Vintage
-HK Crunch
-DZ Crunch
-PV Drive
-TS808
-RAT
-Hot Box
-Metal Zone
-FZ+M Stack
-Digi Fuzz
EQ module
-6 Band Equalizer
CABINET module
-Cabinet Sim.
MOD/EFX2 module
-Chorus
-Modulation Delay
-Pedal Pitch
-Delay
-Dynamic Flanger
-Pedal Mono Pitch
-Bend Chorus
-Stereo Chorus
-Flanger
-Vibrato
-Tape Echo
-Mono Pitch
-Cry
-Comb Filter
-Chorus Ensemble
-Pitch Shifter
-Step
-Dynamic Delay
-Harmonized Pitch
-Reverse Delay
-Air
DELAY module
-Delay
-Ping Pong Echo
-Air
-Ping Pong Delay
-Analog Delay
-Echo
-Reverse Delay
REVERB module
-Hall
-Arena
-Early Reflection
-Ping Pong Delay
-Room
-Tiled Room
-Multi Tap Delay
-Ping Pong Echo
-Spring
-Modern Spring
-Pan Delay
-Auto Pan
For Z-Pedal
-Z-Delay
-Z-MonoPitch
-Z-Step
-X-Flanger
-X-Vibe
-Z-Dimension
-Z-Oscillator
-Z-Talking
-X-Phaser
-X-Wah
-Z-Echo
-Z-Pitch
-Z-Tornado
-X-Step
G9.2tt SPECIFICATIONS
?Effect Types : 120 ?Effect Modules : 10 ?Maximum Simultaneous Effects : 10 ?Patch Memory : User 100+Preset 100, Total 200 ?Sampling Frequency : 96kHz ?A/D Conversion : 24bit, 64times over-sampling ?D/A Conversion : 24bit, 128times over-sampling ?Signal Processing : 32bit ?Frequency Response : 20Hz-40kHz+1.0dB, -3.0dB(10kOload)?Guitar Input : 1/4' phone jack(Rated input level : -10dBm, Input impedance : 1MO)?AUX Input : 1/8' stereo phone jack(Rated input level : -10dBm, Input impedance : 10kO)?External Return : 1/4' phone jack(Rated input level : -10dBm / +4dBm)?Line Output(L/MONO, R) : 2 x 1/4' phone jack(Rated output level : -10dBm / +4dBm, Maximum output level : +19dBm, Output load impedance : 10kO or more, Output Impedance : 1kO or less) ?Headphone Output : 1/4' stereo phone jack(Rated output : 60mW / 32O load, 20mW / 300O load, Output impedance : 47kO)?External Send : 1/4' phone jack(Rated output level : -10dBm / +4dBm)?Tube Circuitry : 2 x 12AX7 ?MIDI : IN/OUT ?USB Interface : 16bit, 32kHz / 44.1kHz/48kHz ?Display : 2digit 7segment LED, backlit LCD ?Power Requirements : 15V AC, 1.5A ?Dimensions : 595(W)x 235(D)x 85(H)mm ?Weight : 5.5kg ?Supplied Accessory : AC adaptor(AD-0012)
* 0dBm=0.775Vrms
*Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH.
G9 2tt Patch Settings Omnibox App
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G9.2TT GaleryEnergizer using 12AX7 tube
Giving body to the guitar sound and adding supple power and intensity - that is the task of the Energizer. Turning up the TUBE control to drive the 12AX7 produces warm crunch with rich harmonics. Godaddy email setup mac os x. The BOOST control spruces up highs and lows, resulting in more transparency. Enjoy a powerful tone also when recording directly to a line input or via USB on a computer.
ZFX-3 — a 32-bit DSP designed by ZOOM
G9 2tt Patch Settings Omnibox Shortcut
The heart of any multi-effect device is its processor and decoder section. ZOOM has started a fresh chapter with its new ZFX-3 chip. The 32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing. Accuracy and speed ensure that even delicate picking and fingering work come across with impressive clarity.
DSP sound modeling plus tube circuitry create the ultimate in distortion
96 kHz sampling and 24-bit A/D/A conversion assure super high resolution sound. An abundance of signal processing power allows accurate recreation of the complex upper-range harmonics that are the hallmark of tube amplifiers. Analog circuitry using a 12AX7 tube then adds that classic warmth and sonic impact to the DSP sound. The result combines the best of the digital and analog worlds: distortion so advanced and sophisticated it elevates your guitar playing to the next level.
Preamp section with two channels
Piaggio fly 150 owners manual. The preamp section, comprised of the amp/drive-modeling, and EQ modules offers two channels per patch. You can easily select a channel by simple foot switch operation. Toggle between a Fender clean sound for rhythm and a Marshall drive sound for lead, while keeping modulation and spatial effect settings the same. The user interface with analog knobs lets you shape the sound with the same facility as on a guitar amp.
G9 2tt Patch Settings Omnibox Safari
Great for stage work or direct recording
The amp/drive-modeling blocks have two dedicated algorithms for each amp/drive type, designed for live playing and direct recording. The CABINET effect simulates amp and mic recording characteristics as well, and the algorithm is automatically switched according to the CABINET on/off setting.This lets you bring the same guitar sound that you used during practice or recording right on to the stage. Alternatively, sound settings that were determined during a session with the band can be used seamlessly in the studio as well.