Album Description. On his 2013 release The North Borders, British producer Simon Green (aka Bonobo) continues along the organic-meets-electronic path that his 2010 release Black Sands followed, but this walk takes place as it's turning to dusk, and there are varying degrees of mist and chilliness along the way. Now, based on what I've heard from then up to The North Borders, there was a definite change in the production style between Dial M for Monkey and Days To Come. Bonobo's sound started to trend towards mellow, earthy lounge and ambient with a nice spark and thumping bass to many tracks that made you take notice of each track's subtleties.

Brighton-based producer Simon Green, also known as Bonobo, has carved his own niche as a pioneer and exemplar for downtempo electronic music over thirteen years of quality output. His third album, Days to Come, released in 2006, was named the album of the year by Gilles Peterson’s listeners on Radio 1, and the 2010 follow-up Black Sands received equally positive reviews. Green’s music incorporates a wide use of samples, combined with complex basslines and instrumental arrangements, to create intricate and beautiful sonic soundscapes; expressive and dynamic, Bonobo is the perfect accompaniment to an introspective state of quiet contentment.

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Bonobo’s fifth studio release, The North Borders, lives up to the expectation created by its predecessors, and surpasses previous achievements both in creativity and the overall unity of the album. Despite being the result of electronic production, the album has a natural feel, the diverse sounds of the piece are united in their organic, linear, progression; instrument builds upon instrument, rhythms repeat and are rephrased. The beat-driven ‘Cirrus’, the lead single from the album, is a fine example of Bonobo at his best. A house beat built to the tune of bells, chimes and an infectious bass is a frontispiece for Green’s raw creative talent. It is the collaborations with different vocalists, however, which provide some of the unexpected highlights of the album.

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The standout track of the album has to be ‘Heaven for the Sinner’, which features Green’s most high-profile collaboration to date: Erykah Badu. Though it might be expected that Badu’s distinctive vocal style could overpower Green’s understated beats, the whispered words of the soulful songstress blend seamlessly with the wandering strings and percussion. Badu haunts the track, a spectre which is as much a part of the whole as the tranquil string accompaniment. The unknown talents of Szjerdene, who features on ‘Towers’ and ‘Transits, and Grey Reverend on ‘First Fires’ show that Green is just as able to produce a coherent and engaging collaboration without input from a Grammy Award-winner. ‘Towers’ is perhaps more vocally driven than other tracks, but the resonating bass and carefully woven musical progression ensures that the Bonobo’s spotlight is not shared too liberally.

All of the tracks on The North Borders are thoroughly listenable, and though there may be no real crescendo to the album, Green never gives us the reason, or the need, to expect one. Certainly ‘Antenna’ and ‘Cirrus’ skirt the edge of the dancefloor, but the feeling evoked by this album is more one of a peaceful walk home from the club (if such a thing exists) than the mood inside. The North Borders is not a grand leap away from Green’s previous work, but it is a progression. Synthetic, yet soulful, Bonobo has created an integrated and appealing album which stands out through its modesty.

4 STARS

PHOTO/Ninja Tune

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Download Bonobo The North Borders Zip

May 22, 2013 - Music Downloads // Events // News // Album Reviews. Bonobo - The North Borders (2013). _cover_[plixid.com] Artist: Bonobo.

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The first time I heard Simon Green I was looking for something special, new and making me feel happy and relaxed at the same time. Then he came out with this job and I was quite curious! The disc is linear and unpredictable at the same time, each song is inserted in the other, so you can not skip a single track.

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What I appreciated most is his ability to make us feel the difference between those who play electronic music and those who intend electronic music as a complex artifact composed of classical musical knowledge, refined arrangements, dynamic balance between different sounds and so much elegance Great work!!!

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Review Since first emerging at the tail end of the '90s, Simon Green has become downtempo music's most marketable star, appealing just as much to occasional listeners and 40-something housewives as underground heads. Throughout that time, he's carefully shifted his sound to take in current trends and musical developments, whilst retaining a certain picturesque aesthetic. This fifth full-length, his fourth for Ninja Tune, continues that trend. Kryak crack dlya igr alawar games download. Amongst the usual shuffling beats and twinkling melodies you'll find garage-esque vocal cut-ups, rubbery dancefloor rhythms, Floating Points style neo-jazz, string-laden two-step and some seriously wonky soul featuring vocals from Erykah Badu.